Animal Music: Team of Jeremy Roht, West Dawson, Yukon Territory Audio-CD, 50 minutes Aquarius Records, San Francisco, California: Big Bear, Dusted Magazine, Brooklyn NY:
recorded by Oswald Wiener and Helmut Schoener
35 Tracks
Booklet, 8 pages
Linernotes (english/deutsch) by Oswald Wiener
Photos and Drawing by Ingrid Wiener
EUR 18,00
"The peculiar enjoyability of this music, which in contrast to
much contemporary human music stands the test of repeated listening,
forces one to the conclusion that, at least to the dogs, an abstract
esthetic experience constitutes the 'figure' of their play."
(Oswald Wiener)
"Right now I can almost hear the groans of the 60% of AQL readers
that will think we are absolutely nuts in our enthusiasm for this
recording. First they try to convince me to buy a cd of some damn
elephants banging on trash can lids and blowing on harmonicas
and now they want me to buy this? Okay, those of you who groaned
can now move on to the next item on the list... Now that they're
gone the remaining 40% can talk dog music. This disc is, in the
simplest of terms, a recording of a Mr Jeremy Roht's sled dogs
made on location in West Dawson, Yukon Territory, Canada. Like
the Thai Elephant Orchestra, this project attempts to explore
the possibilities of music produced by animals. Unlike the Thai
Elephants the music these dogs were creating was being done regardless
of human interference and, in most cases, in spite of it. When
the two producers of this disc approached Mr Roht about making
such a recording of his dogs, he was suspicious thinking that
they were working for the plaintiffs (his neighbors) gathering
evidence for a case against him. Fortunately they were just as
excited about the notion of the dog music and set out capturing
the dogs' spontaneous performances. What they probably didn't
expect at the outset of their project was that the dogs themselves
might not be so forthcoming in sharing their repertoire with outsiders.
Turns out that dogs, unlike elephants, are generally quite shy
about bursting out into song around humans. Undeterred, the cd's
producers -- Oswald Wiener and Helmut Schoener -- went about devising
an "Automatic Dog Music Recorder" to clandestinely capture the
canine chorus anytime night and day. A photograph of the ingenious
bark-activated device hanging from a birch tree appears on the
back cover. Even better though is the hand drawn, exploded-view
schematic of the A.D.M.R. in the accompanying booklet. The chorus
of dogs definitely seems to have its lead vocalists and harmonizers
and after a while one can hear the motifs of the leading parts
being expressed in stretto as though in a fugue, but then also
inverted and even, dare I say, in retrograde form. When we play
this cd in the store people invariably chuckle at first, but many
-- if they stick around long enough -- tend to agree that there's
more going on here than just howling to be heard. We even got
the professional advice from our friend Cowboy -- a Husky / Akita
mix (and the dog of local customer Cayce who you may remember
from Aquarius Video #9). When we put the disc on, Cowboy instantly
perked up his ears and listened for about half a minute before
chiming in with his own variation on the song's theme. I think
it's important to point out that Cowboy didn't just immediately
start howling, which would imply an autonomic response, but listened
to the tune for a while to find the appropriate key and melodic
accompaniment. It was also interesting to hear Cowboy's variation
in how it differed in timbre from the pack, which had been singing
together for years. Looks to me like Wiener & Schoener could put
together a comparative series of recordings of dog musics from
different packs around the globe."
"This is a totally haunting, but exceptionally musical record.
There appear to be actual structures happening in a lot of the
sections. Maybe it's just wishful thinking on my part. Who the
hell knows? It's super-hella-beautiful and engaging to listen
to, though."